10 Tips to Make Your Muni Experience Magical and Memorable

We are under two weeks away from the kick off of our 2019 season! Our wish this year is to see lots of brand new faces enjoying our productions this year. As we gear up, we wanted to share some tips and tricks for making sure you get the most out of your Muni Experience.

  1. Parking is Free!
    Muni has a spacious parking lot that is free to all of our guests. Our amazing volunteers will direct you where to go both before and after the show to ensure that you find where you’re going promptly. Pro-Tip: Muni Backstagers get preferential parking! If you are a new Backstager and this is your first time receiving this perk, just mention it to one of our parking volunteers and they will direct you to the appropriate parking area.
  2. So Many Seating Options!
    Muni offers reserved seating as well as lawn seating where you can bring a lawn chair or a blanket. Pick your preference and settle in for a night of music!
  3. Golf Cart Valet!
    Muni is a large site and when we draw large crowds that can mean parking far distances away. For our guests that prefer not to walk long distances, we offer Golf Cart services to transport you to your seat. The Golf Carts will also be glad to assist you after the show to take you back to your vehicles.
  4. Arrive Early!
    We have some BIG shows this year that are sure to draw large crowds! If you are planning on lawn seating, you will need to arrive early to get in line for the box office. The Box Office opens 90 minutes prior to each show.
  5. BYOB (Bring Your Own Blanket)
    Muni is an outdoor theater! While we can see some scorching temperatures during our shows, we can also see some chilly evenings under the stars. Grab a blanket or a hoodie and prepare for the elements.
  6. But also…BYOB 😉
    Muni does allow outside food and beverages including those of the alcoholic variety for our of age guests. Please, drink responsibly.
    You are welcome to bring in your own food, but a trip to the Muni is not complete without a delicious Muni Dog from our concession stand. Our concession stand also offers fountain and bottled sodas, popcorn, candy, nachos, and more!
  8. Bring the kids!
    Muni is a family friendly location. Our shows will delight audiences of all ages!
  9. Stick around to meet the stars!
    Following each production the cast will come out and greet the audience members. This is a great time to for the kiddos to ask for autographs! (Just remember to bring a pen.)
  10. Help us improve!
    If you have a suggestion or question about something after visiting us, please let us know! You can send us a message via our facebook page.

We cannot wait to see you under the stars! Join us beginning May 31st!

It’s Her Party and She’ll Cry For Me Argentina If She Wants To

Tomorrow marks the would-be 100th birthday of Maria Eva Duarte de Perón, better known as Evita. This summer, The Muni is delighted to produce Andrew Lloyd Webber’s musical of the same name for the first time since 1984. And although this show is a beautiful tribute to her mythical stature, it is also an artful blend of biography and added drama… That’s my kind of way of saying it is historical flim-flamm-written-by-men-gobbledy-gock.

In an era of ‘fake news’ and women beginning to tear apart the social patriarchy, let’s set the record straight for her gosh darn 100th birthday: Eva Duarte Peron frickin’ ROCKED. Don’t let the narrator CHE, or any other ANGRY MAN SCREAMING IN THE STREETS tell you otherwise.  Evita was one of those women determined to claw her way out of poverty and make a difference, and she GOT IT DONE in every way available to her. The musical, beautiful as it is, unnecessarily disparages a lot of Eva’s achievements and doesn’t give her backstory the justice it deserves.  

Sure, the basics are all there: she was born poor and moved to Buenos Aires as a teenager, became an actress, met Juan Peron at a fundraiser, married him, he became the President and she became the spiritual leader of Argentina before her untimely death from cervical cancer at the age of 33.

However, the patchwork glimpses we get of her disposition and ambitions are skewed and often one-sided. Che, our narrator, croons to us a lot of unchallenged rumors. For example, he portrays her as a prostitute for fame and power during the entirety of the song, “Goodnight and Thank You”. While ambitious social climbing is one way to understand those (never documented) events, another way is that she was a victim of an entertainment system in which men sexually exploited actresses. (SOUND FAMILIAR, ANYONE? Beuller?) If Eva took advantage of that system, it doesn’t mean it wasn’t deeply manipulative of her at the same time. And let’s not forget she was a teenager during these “climbing up the power ladder” years. I understand consent rules were different then, but do you remember being 15 years old? Exactly how impressively manipulative do you think fifteen-year-old girls are, regardless of the era? I think I managed to seduce the captain of the JV scholastic bowl team to make out with me, and I felt pretty good about THAT. What I’m trying to say is we’re being fed a load of horse-wallop. This is mostly due to the fact that the lyrics and storyline of the musical are based on a 1952 biography, Evita: The Woman with the Whip, which drew heavily upon the accounts of anti-Perónist Argentines. Unfortunately, the book lacked any real historical references or serious research, which is why the audience receives a distorted and unsympathetic portrayal of ma girl, Eva.  If you want a more balanced look, you might check out Evita: The Real Life of Eva Peron, by Nicholas Fraser and Marysa Navarro, which was written as a response to the musical.

Most of the critical remarks against her character in the musical come from Che. He’s supposed to be an everyman, but with a name like that and a revolutionist’s heart we cannot help but think of Che Guevara. Over the years (and a few costume changes) he’s become more of Mr. Guevara, and Che as well as Evita symbolize certain naïve, but endearing beliefs: the hope for a better world and a life sacrificed on the altar of the disinherited poor. It must not go unnoticed that both the real-life Che and Evita were idolized, polarized, and perceived martyrs in their own right- him by wanting to overthrow the power structures that created the impoverished, and she by working her way inside of them.

But I digress.

It is my genuine belief that the finest way to celebrate the birth of such an iconic woman is not to point out every historical inaccuracy of the show, but to relish in all of her impressive achievements. So while you enjoy Evita at Muni under the stars this summer, keep this list of her remarkable successes bouncing around in your brain. It will help you to better understand who she was and why so much of an entire country mourned her passing. Since the internet is a place where you read snippets (and if you’ve made it this far you’re probably tired of reading anyways), I have created a top 10 list of her achievements. So here it is.

10 hip, notable things Evita accomplished:

10. She was featured on the cover of Time Magazine in July 1947

Evita is the ONLY South American First Lady to ever appear alone on the cover of Time Magazine, and she was the first woman to appear in public on the campaign trail with her husband.

9. Evita became the highest paid radio actress in Buenos Aires

She also started her own entertainment company at the age of TWENTY called The Company of the Theater of the Air, which produced a series of biographies about famous women. What were YOU doing at 20 years old?? I was delivering pizzas.

8. She founded a union

In May 1943, Evita founded Agrupación Radial Argentina, a union which she was elected the President of a year later. She also doled out generous wage increases to unions after becoming first lady.

7. Evita helped the women in Argentina get the right to vote

Evita championed women’s suffrage, and after the Argentine congress gave women the right to vote in 1947, she rallied them to create the first women’s political party called the Peronist Women’s Party in 1949.

6. She handed out toys to 4 million children in Argentina’s poorest families

Children’s rights were of great importance to Eva because of her own impoverished childhood. Achieving justice for children was a particular focus for her, and they continued to find warehouses filled with toys and goods for vulnerable families until the 1970’s.

5. Evita actually worked at a desk as first lady

She wanted to be a true champion of the working class, so she served her people face-to-face. She opened offices in the Ministry of Labor, sat at the desk and greeted the people in need of help. Evita also responded to all of her mail herself.

4. She continued to work tirelessly even while having cancer

Evita worked right up until her death. In fact, she was so frail at her last public outing that they had made her a wire cage to keep her standing upright. She died at age 33 of cervical cancer, the same disease Juan Peron’s first wife died of. Now that we understand that disease better, it’s highly likely Juan carried an aggressive strain of human papilloma virus that infected and killed both women at such a young age. Why don’t we sing a song about THAT??

3. She ran for Vice President

She was asked to run with her husband in 1951, but unfortunately for Eva she had to pull out her candidacy due to opposition from the military and her failing health.

2. She was given a funeral for a head of state

Evita wasn’t a head of state, but she had one just the same. BALLER.

1. Her body disappeared for two decades

When the army staged a coup in 1955, Eva’s corpse disappeared when soldiers feared that even her BODY might remain a symbolic figure for the poor. She was so powerful that EVEN IN DEATH she was considered a threat. Her body was eventually returned to her family crypt two decades later.

Eva Peron remains an enduring cultural icon in Argentina and most of Latin America, and though she is viewed as many things, one commonality is her love of the arts. Evita traveled to the big city on a dream of becoming an actress; managed to achieve that dream, form her own company and produce theatrical works that helped pave the way for her future success. This is what we celebrate today. We are celebrating the 100th birthday of a woman who loved art, who was art, and who this art was created for.

Political ambitions aside, nearly all of us in the Muni family (onstage, backstage, or in the audience) can relate to being 15 years old and imagining ourselves in the spotlight, or creating spectacular costumes, or speaking into a microphone in front of thousands of people, or being dazzled by watching a large-scale production musical that’s so moving it brings us to our feet.

We celebrate all strong women who are involved in the arts, and recognize they each have their own unique story to tell. Springfield is so lucky to have a place like Muni, where a 15-year old’s dreams of accomplishing those things can come true without ever having to leave home. They did for me. So it is my sincerest hope that you will come and enjoy Evita this summer at Muni, and perhaps one of them will spark for you too.

Courtney Wick


All views and opinions expressed on The Muni Moment are those of the guest writers and do not necessarily represent the views of the Springfield Muni Opera.

Season Tickets, Backstagers, and Lawn Seating…Oh My!

It’s crunch time, ladies and gentlemen! We are now just a little over a month away from opening night of Peter Pan. Have you gotten your tickets yet? Not sure where to start? Below you will find some of the ways you can acquire tickets, and some of those methods also come with extra perks. Read on!

Season Tickets

Season Tickets are a great investment for those Muni lovers who know they will be seeing every show, or for those superfans who plan on catching multiple performances of one of our four shows. Seasons Tickets give you four reserved tickets that can be used in any combination within the season. For example, use one for each of our four shows, or even use all four in one evening and take the whole family! Season Ticket holders can start reserving their seats today (4/22), so hurry and get yours so you can lock in the best seat in the house. For more info: http://themuni.org/SeasonPass.aspx


Muni is an all-volunteer organization. Our productions would not be possible without our amazing volunteers or our loving and supportive community. When it comes to financial assistance, our Backstagers are the bee’s knees, and we love them! We also love to show them we love them!

“Backstagers memberships, beginning at $50 and available at many levels, come with many special benefits. At various levels, Backstager memberships include coupons for Muni popcorn and fountain drinks, season passes, and yes, even premium parking and exiting. Backstagers get first pick of the best seats in the house as well as other special opportunities. We also recognize Backstagers for their financial support by inclusion in the Muni programs throughout our season.”

If you were already considering season tickets, why not go an extra step and become a Backstager. The Backstager event is not one you’ll want to miss! For more info on Backstagers: http://themuni.org/Backstager.aspx

Lawn Seating

Let’s be honest, friends. Some theaters are TIGHT quarters. It is not always enjoyable to watch your favorite musical next to Suzy Sing-a-Long and Steve Snores-a-lot. Muni provides you with fresh air and comfortable reserved seating, but if you still feel like you need a little more space, Muni offers General Admission where you may bring in your own lawn chair or blanket.

The promotional photos are out, the grounds are being cleaned, and the first show has already been out working on sets. It is getting real, y’all! Get your tickets so you can be part of the magic! http://themuni.org/Ticket.aspx

See you under the stars,


All views and opinions expressed on The Muni Moment are those of the guest writers and do not necessarily represent the views of the Springfield Muni Opera.

Muni Work Days: Maintenance and Memories

By Mary Kate Smith

So let me start this blog post with a disclaimer:  I am not from Springfield.  In fact for a long time, I wasn’t really “from” anywhere.  I mean, I was born in Pennsylvania but grew up in New Jersey.  I grew up in New Jersey and then moved to Illinois.  I lived in Springfield but I went to school in Pleasant Plains.  I went to Pleasant Plains High School but was active at Christ The King.  I went to Missouri for college but left after a year to move to Chicago.  I lived there for nearly a decade before moving to Los Angeles.  I came back to Illinois when I lost my dad in 2004.  I fell in love with my husband and moved to Petersburg in 2008. All this after swearing my entire adult life I was going to land in New York City. (Petersburg…NYC…you do the math.)  So, to say I am a little ungrounded wouldn’t be an overstatement.  So why am I writing this blog about the Muni?  About community?  About finding a place in this world?

Throughout my years in Springfield, very few things have been constant. But over years, especially as friends have travelled to visit this area (usually to see shows) I have found myself repeatedly telling anyone who will listen that Springfield and the surrounding area are a veritable hot bed of theatre and art.  That I really doubt there are other places in the world where you can enjoy the simple pleasures of modest, family friendly, small town life…while also enjoying theatre opportunities that rival those of any bigger city I have lived and worked in. There is something special about this place.
This place.

Here I am, literally portraying art as Amneris in Aida.

Now normally when I say “place” I mean it in a more spiritual way.  Earlier this year my amazing guru of a friend, Craig Williams II, gave an incredibly moving presentation on the spirituality of theatre.  And we talked for hours about the community that we are in and the sheer magic that happens when people come together to create art.  And while I think anyone can argue that art can be made ANYWHERE (I mean, that’s the point right?  Look around you right now…you’ll find something beautiful), it got me thinking that there IS something to be said for the physical places that art and theatre happen.  The Globe.  Circle On The Square. The Hollywood Bowl. The Lincoln Center.

The Muni.

There is something special about The Springfield Muni Opera.  Countless times I tell non-theatre friends that you don’t even have to love musical theatre to like the Muni (it helps…and you should…but that’s another post for another day.)  But really.  The Muni experience is just that.  It’s a night under the stars with people you love, a blanket full of good food and drink, kids running around, music in the air….AND a really great show.  There is something special about the physical space that we enjoy this community family in:  from the volunteers that greet you in the expansive parking lot, the beautiful flowers of spring and eventually summer that line the paved walkways, the stadium seating, the rolling hills of grass to chill on, the potted plants that surround the stage.  And the stage.  A behemoth monument to theatre that looks like it was just dropped out of nowhere to land here in Springfield (missing the lake by mere feet…so that was lucky).  The trusses, the projections, the side stages and buildings that house decades of memories and costumes worn by people who have left nothing behind but a legacy to inspire others.  The wooden floorboards that have been danced on by theatre veterans who tap in ways audiences can’t believe and by children stepping on top them for the first time in ballet shoes that they have never worn before.  There is magic here.

I mean, c’mon?! This looks so cool!

In a world where you can run a days worth of errands and maybe not make eye contact with anyone, or share a smile with a stranger…I am here to tell you that you simply cannot escape the confines of the Springfield Muni without both.  We are a family.  And when you walk down that cobbled path and into the gates with your program and your ticket and your blanket and your lawn chair – even if you have NEVER done it before – you are family, too.  And you are home.  And if you are running down that same path with a bag of stage makeup slung over one shoulder, jazz shoes dangling from the same hand that probably holds whatever dinner you are going to try to inhale before vocal warmups start….this is your home, too.  And not just for a show or a season.  But for forever.

Did I mention I am also a mom?  Well, I am.  And a teacher.  Why is that important?  Read on:
(Ok, I’m sorry about that…)
Muni is a well-oiled machine.  And like any well-oiled machine the parts make up the whole.  And we are the parts (see what I did there?)  This is our home, our place…our space.  In the coming days before the excitement of opening night on our 2019 season under the stars, Muni is offering the opportunity to come spend a day at the place you have missed all winter.  Muni Work Days are just that: days to come together with your family to get this place ready to welcome it’s new members…and to welcome it’s old members home.  From gardening to painting to sweeping to organizing: just like with our stage shows, behind the scenes no job is too small.  And the best part of it? You’re doing it with friends. As we move into April and celebrate the joys and responsibilities of taking care of our EARTH home, there is no better way to get up and pitch in than to take care of this precious gift of a theatre home.  Last year my family and I spent the day laughing with friends, picking up sticks, reminiscing about people and shows as we took on the task of hanging old theatre memorabilia on the walls of the Berchtold Building.  I made as many memories that day as I have doing any shows. (Ever seen three grown men in show shirts climb a ladder together?  See below!)

This summer will be a memorable one.  For myself, it will be the first summer that I step onto those weathered boards with my daughter, Stella, who (after spending every summer of her life crawling in the Muni grass and taking naps under the stars at rehearsals) will step onto that stage as a performer for the first time.  I can hardly write about it because the idea of sharing this dream and this community and this place with her is almost too much for me to take in.  But before that happens, she will strap on her farm boots and old show sweatshirts and spend a Muni work day with me…understanding the awesome responsibility of taking care of our home like we work to take care of our planet. And I know that my little girl will spend her day recycling, doing as much heavy lifting as her ten year old body will allow, and dreaming up ways to make the Muni a better place.  For everyone.  To me that is just as important as the memories she will make this summer under the lights performing with her new family in HER new home. (Yeah her mom will be there, hopefully she isn’t too annoyed by that.)

Catch this star in Evita this summer!
My kids are living proof that you are never too young to make a difference in the world.

So, yes.  I’m a drifter.  I don’t really know where I am from. But ever since moving to this area in 1990, I have felt something special about Muni.  LONG before I got cast in a show (which was a LONG time…again, another blog) Muni has been my home.  Our family grows together.  Our family mourns together.  Our family creates together.  Our family LIVES together. 
Come to a Muni workday this spring.  Whether you are doing a show this summer or not (I mean, if you are you kinda HAVE to come, soooo…) come be a part of making the Muni great.  Be the good things that you want to see in the world, and surround yourself with people on that same mission to create not only theatre…but good.  For more information on Muni workdays, dates and times, check out our website.  And look for me at Muni work day.  I’ll be the one crying about all the sappy stories, checking my steps on my Apple Watch to make sure I am getting a workout credit for hauling things up and down the hill, and welcoming every member of our Muni family, new or old…home.

See you under the stars,

All views and opinions expressed on The Muni Moment are those of the guest writers and do not necessarily represent the views of the Springfield Muni Opera.

Neverland Love: A Double Feature

Our first show of the season is taking us off to Neverland. Peter Pan has been done six, soon to be seven, times in Muni history and is always a family favorite. For this edition of “The Muni Moment,” two of the staff members  for the 2019 production are sharing their interactions with the show that led them to being on staff. Jacob Deters, an entranced audience member turned Assistant Director, and Anna Maisenbacher, Wendy/Peter Pan/and potentially Muni’s 2026 production Tiger Lily turned Choreographer, share their fond memories of their show.

From Jacob:

Congratulations to the cast of the 2019 Muni shows. This was my first time on the other side of the audition table. I have auditioned and was in a Muni show for 12 straight seasons. My first Muni show was Grease back in 2007! Let me tell you all, being on staff is quite the experience. I am so ecstatic to be Assistant Directing Peter Pan at Muni this year. We had an unbelievable amount of talent come through and as much as I love the fun of audition season, I am so happy to have a cast for our show and start the rehearsal process.

Let’s take this back to where it all began…

Image may contain: 2 people, indoor

Wait… too far back…. (BTW – yes that is me and my mom, waiting for my blanket, dee dee, to dry).

Fast forward to the end of last summer. Elizabeth Cheney (Director for Peter Pan) and I began to discuss if we would want to put in to direct and assistant direct a show for this season. We had some ideas we were very interested in putting on the stage for this season, but it had to be the right one! We knew we wanted it to be family friendly and a real crowd pleaser. We threw around some ideas and when the idea of Peter Pan came up, we both were both intrigued.

Pondering Meryl Streep GIF by 20th Century Fox Home Entertainment - Find & Share on GIPHY

I have been a fan of it since I saw it in 2007 at Muni. From the sword fights, flying, and pixie dust… I was hooked! (see what I did there…). Elizabeth and I both loved the story, music, and magic of it all, but was it the right time to do Peter Pan again? The last time Muni did Peter Pan was in 2013 (once again a phenomenal show). It is hard to tell how the news of reviving a classic Muni show is going to be received by the theater community, but Elizabeth and I were on board for this project because we knew it would be something special… something extraordinary. We began to think of all the possibilities we had with it and we knew we could bring a different spin this time around. It was time for Muni audiences to see Peter Pan once more!

Wendy Darling Blessings GIF - Find & Share on GIPHY

I hope I can bring a unique perspective this time around to this talented staff. The story is classic, timeless, and hard not to love. When I see the photo above of me, I was reminded of myself at the age many of our audience members will be. Not wanting to grow up and always ready for the next adventure. It is a tough lesson in life, but unfortunately, we do have to move on and “grow-up” (whatever that means), we lose that innocence.  Peter Pan brings back that sense of curiosity, even just for a few hours, in even the biggest grownups. Coming from someone who has yet to be involved in a production of Peter Pan, I hope to bring some fresh eyes to this show and new, exciting ideas to share with this new generation of Muni-goers.

Adult Definition GIF by SoulPancake - Find & Share on GIPHY

Under Elizabeth’s direction, I am so excited to see what our staff and cast can bring to life on the Muni stage this year. Becky Kemp has a fantastic vision for this music and I am happy to get to work with her for this first time on this project. Anna Masienbacher coming back as a former Peter Pan to choreograph is just pure Muni magic. As much as we love sharing these stories with a new generation of Muni audiences and casts, there is something special in hearing stories like Anna’s and her journey with Peter Pan. We have a wonderful cast that we cannot wait to work with. We have a wonderful mix of Muni veterans, but also new people. I cannot wait for them to experience the Muni Magic for the first time.

Mary Kate And Ashley Olsen Magic GIF - Find & Share on GIPHY

I hope to see each of you under the Muni stars this season for a fantastic line up. Make sure to save me a Muni Dog! I can guarantee you will not want to miss Peter Pan this season.

Stoned Dog GIF - Find & Share on GIPHY

From Anna:

Since I’ve been old enough to audition for the Muni, Peter Pan has been on the Muni stage four times.  I have been a part of three of those productions, currently as the choreographer for the upcoming season.  Had college not prevented me, I definitely would have tried out for the 2007 production, as I have a goal of playing every possible female role in the show.  So director for the Muni 2026 production, whoever you are, keep me in mind for Mrs. Darling, Liza, Pirate #3, or a super old Tiger Lily, because I will be present at auditions.  So what is it about the story that I find so irresistible?  I think that can be summed up with one word: magic. Peter Pan is magical.  How lovely to sit in an audience or backstage and watch Peter encourage everyone around him clap as loud as they can because they believe in fairies and want Tink to live. It gets me every. single. time.   When you are involved in the show of Peter Pan, you get to forget about all of your adult troubles of the day, go to rehearsal, and be a child for three wonderful hours each night. And how exciting is it when all of those weeks of hard work come together and you hear that gorgeous music that swells into trumpet blasts as Peter soars through the nursery window with an explosion of fairy dust?  UGH. CHILLS. But I’m not going to talk about those things in this post. I’m about to tell you the real stuff…all the crap that can go wrong and ruin the magic. RUINING THE MAGIC FOR YOU IN 2019: HERE WE GO!

  • That DANG harness: real talk you guys.  It is awful. You’re super pumped because rehearsals have been going so well before you get to the Muni site.  Then suddenly you arrive on site, and you can’t breathe during “I Gotta Crow” because this giant medal harness added 15 lbs.  Also, NOT CUTE. You felt pretty good about that costume fitting, and then this lung and thigh crushing harness makes everything SO TIGHT.  You try to still look kinda cute walking around backstage on day 1 and day 2 of tech. “Does this harness make my butt look big??” By day 3, you’re walking around like a sumo wrestler, begging your flight director Tom for a pair of his son’s football pads so that your legs can stop bruising and swelling.  Your arms are purple (see exibit A)…
  • The Peter Flight.  OK hear me out…this goes in stages.

Stage 1: The Army Crawl.  You have to hide behind this two foot tall window sill so instead of laying back there for the entire first part of the show (because bugs), you hang backstage and then crawl on all fours towards your friend Jen so that she can hook you up for the big flight. Hopefully you can wipe off the pieces of stage that got stuck to your costume in the process.

Stage 2: The Crouch. Again…two foot tall window sill.  Neck cramps for days trying to keep my head below the window.  Also leg cramps from holding a squat position until you can’t feel them anymore.

Stage 3: The Window Panic. You hear Mrs. Darling say one of your favorite lines “Dear nightlights that protect my sleeping children…” Ok…it’s go time.  The violins start. The windows haven’t opened yet. Does anyone know the windows aren’t open?? SOMEONE TELL KEVIN NOT TO JUMP OR I AM GOING TO SLAM INTO THIS WINDOW LIKE A BUG ON A WINDSHIELD.  THEN THIS IS GOING TO HAPPEN…Peter Pan Fails.  Also don’t watch too many Peter Pan fails because then you just convince yourself that one of them is going to happen to you.

Stage 4: The Flight.  So many curse words are flying through your head as you are basically catapulted into the air.  The amazing crew opened the window just in time, and you didn’t hit the window. #blessed DANG IT. You forgot to throw the pixie dust. *throws giant clump of pixie dust right before landing and most of it sticks to your sweaty head*

Stage 5:  Concern for your friend Kevin.  This flight happens because some brave soul jumps from a two story scaffolding to fling you into the air.  You volunteered your friend Kevin to risk his life so you can look pretty. It’s fine. He jumps…you’re flung into the air…you landed…excellent. Then suddenly you hear your friend Kevin crash to the ground and groan just a bit.  You instinctively want to say “You ok Kev?” but you can’t. So you try to come off as “curious Peter” and sneak a quick peek off stage. PHEW. Kevin is alive. You’re ok to proceed with “Tink! Tinkerbelle! Where are you?” And the flight is done.  Let’s do it again in Act 3!

  • The very real fear that no one will clap for Tink, she dies, and the show ends with you just looking like an idiot on stage.  Seriously, what if no one claps?!? But kids are the best. They clap. Their parents clap. You breathe a giant sigh of relief, cry real tears, and go rescue Wendy.

Ok, do all of these things happen?  Yes. Is it worth it? 100% yes. I’d do it again in a heartbeat.  It all becomes so worth it when you see hundreds of kids stare with complete fascination, hear them gasp when Peter flies through the window, giggle when the croc wiggles across stage, and clap as loudly as they can to save a fairy.  I cried probably no less than 15 times watching Muni auditions this year. The emotions felt during the scenes between Peter and Wendy are real, and they all came shooting out of my eyeballs again. I still have such genuine love and affection for both Carolyn and Lindsey because you just can’t help but become best friends when you work so closely on these intense scenes. I learned about the importance of the Wendy/Peter relationship from Phil Funkenbusch and Ed MacMurdo, and it changed my life forever.  

Also, what are these 80s bangs??  

Cute fun fact…Lindsey and I wore the same Wendy nightgown.

Being involved in Peter Pan is exhilarating, challenging, exhausting, rewarding, and MAGICAL.  It is an awfully big adventure, and I cannot wait to return to Neverland again this year. And Devin, invest in some football padding right now.  I hope my sweet husband waits to jump until the window is open.

All views and opinions expressed on The Muni Moment are those of the guest writers and do not necessarily represent the views of the Springfield Muni Opera.

The 5 Stages of Muni Monday

Auditioning is stressful, don’t get me wrong. But the anxiety of waiting for that fateful phone call letting you know you’ve landed a role is Just. The. Worst. I’ve auditioned for lots of shows, at several different theaters, but lemme tell ya – there is no nervous like Muni Monday nervous. Muni Monday is an ORDEAL. It’s an all-day happening, causing your heart to race any time you think the word “Muni”. You’re a nervous wreck. You’ve potentially waited for a week and a half to hear any news. You’re snapping at everyone (just me?). It’s the worst. I’ve pinpointed the five stages you might experience as you live out your own Muni Monday.

  1. Excitement – You wake up, realizing today’s the day! We finally get faces to put with the characters for a whole summer of fabulous theater. You start casting the shows in your own head, based on the amazing talent within your audition groups. It’s like an unwritten contest to see how closely your predictions line up with the actual casting. crushed it
  2. Anger – There is no angrier person than a Muni Auditionee who gets a call on Muni Monday from their Aunt Susan. C’mon Susan. I’ll call you on Tuesday, let’s leave the phone lines open, mmkay?                    susan.gif
  3. Nervousness – As I said before, just thinking about your phone ringing, or thinking about Muni, can cause your blood pressure to spike. It’s a feeling that will last all day. Every text message, noise on the TV, or car horn on the street will have you on edge. Even though you know calls don’t start until after 6:00, you will find yourself checking that your phone is on loud on your lunch break, ya know, just in case.nervous
  4. Anticipation – As your friends start posting their casting news, the anticipation and hope for your phone call rises. There goes that blood pressure again…anticipation.gif
  5. The Resolve – Come Tuesday Morning, all casting has been completed, and if you’re a lucky one, you’ll be sharing the news of your newly cast role with your friends and family on social media. You may even drop Aunt Susan a line to fill her in. If it happens that this year, you’ll be watching from the audience, remember there’s always next year. Belt “Don’t Cry for Me Argentina” at the top of your lungs, have a good cry (trust me, I’ve been there, and it helps!), but remember there are SO many ways to get your name out there. Volunteer as an usher or a stage crew member. Show up to paint some sets or make some Muni Dogs. Put a smile on your face, make yourself known and go in vocal cords a-blazin’ next year!


Happy Muni Monday, Friends! May the odds be ever in your favor.     hunger games.gif


See You Under the Stars,


 All views and opinions expressed on The Muni Moment are those of the guest writers and do not necessarily represent the views of the Springfield Muni Opera.

8 Audition Tips From Someone Who Has Never Auditioned

I might be the least qualified person to give any kind of tips about the Muni audition process. My time on stage started and ended on the Jacksonville High School stage after my show stopping performances as The Steward in Anything Goes (“All ashore who’s going ashore! All ashore who’s going ashore!” might be my least favorite line ever written and still haunts me to this day – thanks for nothing, Cole Porter) and as  Pete/Slim/Tex/Buster/Hank/Tom aka one of the Canadian Mounties aka one nameless member of the men’s ensemble in Little Mary Sunshine.

As far as the Muni is concerned, I’ve been hovering around it as Theater Boyfriend/Fiancé/Husband to Craig Williams II since Summer 2012. Last summer, I took on my first staff position as Production Coordinator in Legally Blonde (I’m also Production Coordinator for Evita this summer and, y’all, don’t cry for us because our merch is gonna be fierce #EvitaSwag). Just a few weeks ago, I finished up assistant directing The Last 5 Years at The Hoogland Center for the Arts. What have I not done through these roles? Watched auditions or cast anyone in a single show. So, while I suppose I’m part of this Muni family… I ain’t got a clue about auditioning.

But lucky for both of us (‘cause this post would’ve ended at that gif otherwise), I do have a clue about eavesdropping on people who do know a thing or two about auditions. I’ve also imagined my own anxiety-ridden imaginary audition every year, so I’ve seen literally every possible and unrealistic contingency. So obviously, take all my nosey sage advice, you little eager beaver, you!

Before auditioning, have a few practice auditions with people who will give you real feedback.

Don’t seek out people who are going to tell you how great you are. Find your most critical friend or mentor to try your audition material on and set the expectation that you want raw, unfiltered feedback – it’s better to get it before you’re standing in front of a panel of people who will be deciding whether or not to cast you. When you get the feedback, don’t take it personally – use it to make your audition better. If possible, seek out someone who has experience in auditioning or casting at the Muni.

Have a lifeline on standby for a call or text.

Auditioning is such a vulnerable thing to do. You’re standing in front of a panel of people you may or may not know super well and asking them to see you as part of the vision they have for the story they want to tell. As a result, you may feel a little anxious throughout the process. Ask a friend (or Mom or Dad) to be on standby if you need to text or call someone to get you pumped up.

Everyone around you has the same stakes.

Remember that everyone is there to audition – no one has been cast yet. You’re all in the same boat. If you have a moment, use it to encourage those around you. It’ll make you and the other person feel at ease and better about the entire process.

Bond with your fellow auditionees.

You may not have a ton of down time, but when you have a few minutes, bond with the people around you. Avoid the tendency to scroll through social media or otherwise disengage from those around you. Take a few minutes to get to know the people you might be spending a significant portion of your summer with.

Be upfront about your conflicts.

Don’t conceal scheduling conflicts you might have. Going on vacation the week before tech week? Involved in another show in town during rehearsals? Won’t be in town for the actual show? Tell the staff any and all conflicts. While some conflicts are deal breakers (like not being in town for the actual show), so many conflicts can be worked around. But the only way the staff can work with your schedule is if they know about your conflicts, so disclose away!

This isn’t American Idol (oh good grief, I am dating myself) – there is no Simon Cowell at the table.

Every single staff member watching your audition is hoping you are going to fill a need – no one is sitting their hoping you’ll fail. If you don’t audition well, that’s one less option they have for their cast. The entire staff is on your side and rooting for you. They want to cast you! Don’t forget that and let your nerves get the better of you.

There are no small roles…

Listen, it’s a cliche for a reason. Be open to various types of roles. Don’t limit yourself to “big” or “small” roles. Every single cast and staff member is an important part of telling the story of their show. Even in a low profile role or part, you will learn so much just by taking it all in… which can only help in your future theater endeavors.

Even if you don’t get cast in a show…

Don’t panic! You got this. But if you don’t get cast, remember that there is so much to do at the Muni. Work backstage, volunteer at the site, involve yourself however you can. So much work goes into the Muni magic every summer, and only some of that magic happens on the stage.

What do you think of these tips? If you’re a veteran Muniac, what tips would you add? Let us know in the comments!

J. Ryan Blesse is a published author, freelance writer, and marketing professional with a passion for storytelling. When he’s not reading or writing, he’s thinking about pizza, yo-yo dieting, traveling almost anywhere with his husband Craig, and/or talking politics with his main feline Grizabella.

All views and opinions expressed on The Muni Moment are those of the guest writers and do not necessarily represent the views of the Springfield Muni Opera.

Muni Audition Workshop Recap

You may have heard Muni held an audition workshop this weekend. Or if you didn’t, you might be panicking, “Shoot! I missed it! How will I ever be prepared to audition?!”

Have no fear! The Muni Moment is here to fill you in on all the important details needed to make your audition magical.

First of all, this is just one of my favorite days of the year. The magical kick off. For many, it’s a reunion of friends, and the excitement in the air is palpable.

The workshop is a fast and furious run down of the Muni audition process, show staff introductions, and it is full of words of encouragement from the staff. Here are some highlights:

Muni board member, Dan Humphries emceed the event and welcomed everyone to the workshop. Muni President, Jim Leach, shared his thanks to everyone for coming out to the event, and noted the importance of volunteering at Muni. Following introductions, each show got a chance to come up and introduce their staff, and share a little bit about their vision for their productions.

Peter Pan:

  • Staff:
    • Director-Elizabeth Cheney
    • Assistant Director-Jacob Deters
    • Vocal Director-Becky Kemp
    • Choreographer-Anna Bussing-Maisenbacher
    • Producer-Julie Herpel
  • The staff noted that this production of Peter Pan is open to any gender playing the roles. Peter may be played by a male or female, and the same goes for lost boys, pirates, etc. Director, Elizabeth Cheney, also reiterated that the role of Peter Pan is a physically demanding role, and that whoever is cast will need to be willing to cut his/her hair come mid-April for promotional footage. Whoever gets the amazing opportunity to portray Peter Pan, we know they will rock that Pixie cut! For auditions, they are asking that performers sing something that showcases their vocal range, but that does not necessarily have to be something from Peter Pan itself.


  • Staff
    • Director-Craig Williams II
    • Assistant Director-Courtney Wick
    • Vocal Director-Christie Lazarides
    • Choreographer-Zoey Zara
    • Producer-Mike Rogers
  • Director, Craig Williams II, gave a beautiful synopsis of the life of the influential, Eva Peron, and touched briefly on the other supporting roles that interact with Eva along the way. Williams noted that each character is incredibly dynamic and share important messages with the audience. Evita has not been performed on the Muni stage sing the 1980s, and after today, it is clear this is a show you do not want to miss!

Thoroughly Modern Millie:

  • Staff
    • Director/Choreographer-Morgan Kaplan
    • Director/Choreographer-Andrew Maynerich
    • Assistant Director-Stacy Kolaz
    • Vocal Director-Diane Dietz
    • Apprentice Director-Danny Guttas
    • Producer-Dan Humphries
  • If you’re looking for a upbeat, dance heavy show, Thoroughly Modern Millie is for you! Co-Directors, Morgan Kaplan and Andrew Maynerich, set the tone of the fast pace and high energy of this wonderful show. They noted that this is a dance heavy show, particularly in tapping. A video of the tap audition combination will be posted on the Muni’s Facebook page in the next couple of weeks for those wanting to get a head start on practicing. A change in Muni’s production of Millie is that the role of Mrs. Meers is planned to be cast as a male. The character will have a sweet, “southern belle” accent when in character as Mrs. Meers, but when not around Millie and the other girls, “Mr. Meers” will be a more gruff, Brooklyn persona.

The Wizard of Oz:

  • Staff
    • Director-Anna McFarland
    • Director-Connor McNamara
    • Vocal Director-Sara Baltusevich-Goeckner
    • Choreographer-Casey Tester
    • Producer-Mary Matheny
  • Co-Director, Anna McFarland, addressed the audience along with her partner, Connor, wearing fabulous ruby red Converse shoes. Just by looking at her, you could tell her whole heart is in this show. Both directors shared words of their love for the show, the movie, and celebrated that the movie would be celebrating its 80th anniversary in August when our own Wizard of Oz  will take the stage. The directors noted they will be staying true to the movie, but are planning to keep the ensemble very busy, including using the children cast in other numbers outside of Munchkinland. The WOZ staff has specific songs cuts they are hoping to hear from the four main leads-if interested in one of these roles, see below contact information for collecting sheet music.

It was a wonderful kick off to what is sure to be an incredible season full of wishes and dreams come true. Right now, our wish is for you to come out and audition! Set on a show already? You can email them here for music to prepare for your audition!

Peter Pan: MuniPan2019@gmail.com
Evita: http://bit.ly/2BC3uT7
Thoroughly Modern Millie: MillieMuni2019@gmail.com
The Wizard of Oz: OffToOz.Muni2019@gmail.com

Got your music, and your dream roles picked out? Make a list of conflicts and sign up for an audition slot!

Stay tuned in the coming weeks for some great audition tips from a guest-blogger and one of Muni’s most highly regarded volunteers!

See you under the stars,

All views and opinions expressed on The Muni Moment are those of the guest writers and do not necessarily represent the views of the Springfield Muni Opera.


Hey all you Muniacs! My name is Lindsey Rudd, and I am one of the writers for “The Muni Moment” this year! At least once a month, fellow blogger/vlogger Taylor Brown and I will bring you Muni highlights, audition tips, guest writers and more. This month’s focus: #MyMuniJourney.

#MyMuniJourney actually started back in 1999, when five-year-old me set out to audition for Muni’s production of The Sound of Music (FYI-children’s audition age is now eight!). I don’t remember much from the process other than the staff asking me to sing the “Do, Re, Mi” scale and me having literally no clue what that meant (whoops). I remember quickly searching to find my parents, and realizing quickly that everyone around me was singing along and smiling trying to get me to sing with them. This was my first interaction with one of the most supportive groups of people I have ever met. I didn’t get cast that year (#tonedeaf), but I had definitely caught the theater bug. Fast forward four years, and I was a nine-year-old who could actually carry a bit of a tune at this point. I landed my first role as the Munchkin Barrister (practically the lead!) in Muni’s 2003 production of The Wizard of Oz. From that moment on, Muni became a family affair. My dad, brother and I all enjoyed time on stage, while my mom enjoyed the behind-the-scenes action and eventually became the queen of the concession stand.

Some of my favorite shows and roles I’ve had include:

The Wizard of Oz and The Sound of Music – My first two Muni shows, both of which I shared on the stage with my dad (love you Captain Von Trapp!). During these shows I met my beloved voice teachers, Leigh Ann and Judy, (I attribute getting cast in shows the years following entirely to them and their training – they took me a LONG way from the five-year-old who didn’t know what “Do, Re, Mi” was). I also had a brief encounter with my future-husband, cast as a Nazi youth (you’ll see in a bit, I clearly have a thing for the bad boys).

Little Shop of Horrors and AnnieTwo more shows I did with my dad (allllllll the bonding time), but even better was getting to meet some great ladies and strengthen friendships with some I already knew. Plus, check out the awesome wigs I wore!

Trio member, or Dora the Explorer? You decide. Also, I met some of the greatest friends ever during this show. I’m so grateful for the lifelong friendships Muni builds.

All Shook Up, Hairspray and High School Musical Hands down the most fun, high-energy, eight week cardio programs I have ever completed.

I’m not kidding when I say it was a cardio program. I think I lost 20 lbs that summer. #werk

White Christmas – I was about seven months pregnant, wearing a wig, Christmas sweater, and a Santa hat in 100+ degree weather. What’s not to love?! If you didn’t get to see this sight, I’m truly sorry you missed out on such a treat.

Not picturedmy large and in charge baby bump.

Legally Blonde – Holy cow, what a show! I may be biased, but “Omigod You Guys it was SO GOOD. The staff was hands down my favorite staff I’ve ever worked with, the cast was stellar, and I played the evil Vivienne Kensington, and I am certain no typecasting involved.

Go best friend! (That’s my best friend!)

Peter PanI’ve done the show twice. The first time I played a warrior girl and met the girl who has been my best friend ever since; the Elle Woods to my Vivienne, if you will ;-). The second time around, I played Wendy, got to fly under the stars and got engaged to the love of my life, the most handsome of the swashbuckling pirates (#badboy), during one of our rehearsals.

Love this lady to Neverland and back.
Wendy and her pirate lived happily ever after…

Okay… that may have been every Muni show I have ever performed in, but how could I leave a single one out?! They are all special in some way. Also special shout out to shows I worked crew on, Oliver and Big River.  I had just as much fun behind the scenes, so if you’re thinking you want to get involved but the stage isn’t for you, there are many opportunities beyond performing. More info? Visit http://themuni.org/Volunteer.aspx

#MyMuniJourney has been a blast so far. As we head into our 2019 season, two of my favorite shows I have ever done are being performed again. This time around, I have two wonderful children to share the magic with. My #wish this year is that they see the same magic I saw in these shows.

Muni’s Wizard of Oz Dorothy and Lion coming Summer 2034!

Please, share your journey. If you’ve had many years with us under the stars or are just contemplating auditioning this year, your journey starts somewhere! When you comment, use #MyMuniJourney, we will post some of our favorite journeys that you share with us in future posts!

See you under the stars,


All views and opinions expressed on The Muni Moment are those of the guest writers and do not necessarily represent the views of the Springfield Muni Opera.